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. Jardins De Paris Alesia Paris from $69.18 USD
. Comfort Inn Saint-pierre Paris from $69.20 USD
. Hotel Louxor Paris from $73.63 USD
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. Citadines Bastille Marais Paris from $159.95 USD
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It's little wonder that so many wistful songs have been penned over the years about France's capital, Paris . Few cities leave the visitor with such vivid impressions, whether it's the drifting cherry blossoms in the tranquil gardens of Notre-Dame, the riverside quais on a summer evening, the sound of blues in atmospheric cellar bars, or the ancient alleyways and cobbled lanes of the historic Latin Quarter and villagey Montmartre.
Paris has no problem living up to the painted images and movie myths with which we're all familiar. Indeed, the whole city is something of a work of art. Two thousand years of shaping and reshaping have resulted in monumental building, sweeping avenues, grand esplanades and celebrated bridges. Many of its older buildings have survived intact, having been spared the ravages of flood and fire and saved from Hitler's intended destruction. Moreover, they survive with a sense of continuity and homogeneity, as new sits comfortably against a backdrop of old - the glass Pyramid against the grand fortress of the Louvre, the Column of Liberty against the Op?ra Bastille. Time has acted as judge, as buildings once surrounded in controversy - the Eiffel Tower, the Sacr?-Coeur, the Pompidou Centre - have in their turn become well-known symbols of the city. Yet for all the tremendous pomp and magnificence of its monuments, the city operates on a very human scale, with exquisite, secretive little nooks tucked away off the Grands Boulevards and very definite little communities revolving around games of boules and the local boulangerie and caf?.
Architecturally, the Cath?drale de Notre-Dame, Sainte-Chapelle and the Palais du Louvre , in the city's centre, provide a constant reminder of Paris's religious and royal past. The backdrop of the streets is predominantly Neoclassical, the result of nineteenth-century development designed to reflect the power of the French state. Each period since, however, has added, more or less discreetly, novel examples of its own styles - with Auguste Perret, Le Corbusier, Mallet-Stevens and Eiffel among the early twentieth-century innovators. In recent decades, the architectural additions have been more dramatic in scale, producing new and major landmarks, and recasting down-at-heel districts into important centres of cultural and consumer life. New buildings such as La Villette, La Grande Arche de la D?fense , the Op?ra Bastille , the Institut du Monde Arabe and the Biblioth?que Nationale have expanded the dimensions of the city, pointing it determinedly towards the future.
Paris's museums and galleries , not least the mighty Louvre , number among the world's finest. The tradition of state cultural endowment is very much alive in the city and collections are exceedingly well displayed and cared for. Many are also housed in beautiful locations, such as old mansions and palaces, others in bold conversions, most famously the Mus?e d'Orsay , which occupies a former train station. The Impressionists here and at the Mus?e Marmottan , the moderns at the Palais de Tokyo , the smaller Picasso and Rodin museums - all repay a visit. In addition, the contemporary scene is well represented in the commercial galleries that fill the Marais, St-Germain, the Bastille and the area around the Champs-?lys?es, and there's an ever-expanding range of museums devoted to other areas of human endeavour - science, history, decoration, fashion and performance art.
Few cities can compete with the thousand-and-one caf?s, bars and restaurants that line every Parisian street and boulevard. The variety of style and d?cor, cuisine and price is hard to beat too. Traditional French food has become increasingly innovative and the many ethnic origins represented among the city's millions have opened eateries providing a range of gastronomic options for every palate and pocket.
The city entertains best at night, with a deserved reputation for outstanding film and music . Paris's cinematic prowess is marked by annual film festivals, with a refreshing emphasis on art, independent and international films. Music is equally revered, with nightly offerings of excellent jazz, top-quality classical, avant-garde experimental, international rock, West African soukous and French-Caribbean zouk , Algerian ra? , and traditional chansons .
If you've time, you should certainly venture out of the city. The region surrounding the capital - the ?le de France - is dotted with cathedrals and ch?teaux as stunning and steeped in history as the city itself - Chartres, Versailles and Fontainebleau , for example. An equally accessible excursion from the capital is that most un-French of attractions, Disneyland Paris .
The city
Geography and history have combined to give Paris a remarkably coherent and intelligible structure. The city lies in a basin surrounded by hills. It is very nearly circular, confined within the limits of the the ring road, the boulevard p?riph?rique, which follows the line of the city's nineteenth-century fortifications. The capital's raison d'?tre and its lifeline, the River Seine , flows east to west, carving the city in two. Anchored at the hub of the circle, in the middle of the river, is the island from which the rest of Paris grew: the ?le de la Cit? , home of the capital's oldest religious and secular institutions - Notre Dame cathedral and the Palais de Justice.
The north or Right Bank ( rive droite ) of the Seine is characterized by imposing government buildings, sweeping vistas and elegant boulevards. The longest and grandest thoroughfare is the so-called Voie Triomphale , which runs from the Louvre to the Grande Arche de la D?fense in the northwest, taking in the Tuileries gardens, Champs-?lys?es and Arc de Triomphe, each monument an expression of royal or state power across the centuries. To the immediate north and east of the Voie Triomphale spread the commercial and financial quarters, site of the stock exchange, the refurbished nineteenth-century passages and Les Halles shopping centre. Just to the east of Les Halles lie the Marais and Bastille quartiers, two of the city's liveliest and most happening areas.
The south bank of the river, or Left Bank ( rive gauche ), owes its existence to the cathedral school of Notre-Dame, which spilled over from the ?le de la Cit? and became the university of the Sorbonne, attracting scholars and students from all over the medieval world. Ever since, it has been the traditional domain of academics, writers and artists.
The city is divided into twenty arrondissements , whose spiral arrangement provides a fairly accurate guide to its historical growth . Centred on the Louvre, they wind outwards in a clockwise direction. The inner hub of the city comprises arrondissements 1er to 6e, and it's here that most of the major sights and museums are to be found. The outer or higher-number arrondissements were mostly incorpor ated into the city in the nineteenth century - some, such as Montmartre, Belleville and Passy , have succeeded in retaining something of their separate village identity. Historically, the districts to the west attracted the aristo cracy and the newly rich, while those to the east accommodated mainly the poor and the working class, distinctions which largely hold true to this day, though much of the east is gradually being gentrified.
Paris is not particularly well endowed with parks. The largest, the Bois de Boulogne and the Bois de Vincennes , at the western and eastern limits of the city respectively, do possess small pockets of interest, but are largely anonymous sprawls. For a break from the bustle of the city, it is best to try an out-of-town excursion, to the gardens of Giverny , for example, or the forest of Fontainebleau .
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